Desirable Dressmaking

Keep saying it—eventually, you will begin to mean it.

This concept of a Royal Dressmaker is so deeply seeded in my heart. I long to see fine fashion dresses from old-world luxury couture houses come to life again today—not preserved in decaying museum boxes, but reimagined as living garments, refreshed for modern life.

The tagline for Elsa Fitzgerald is old world luxury for the modern woman. I want beauty rooted in exceptional fabric selection and a true investment in skilled artisans, keeping fine needlework alive through hands that sew magic into dresses. I want to feel the joy of a garment coming alive for a patron to twirl round with zeal freely in the wind.

Unearthing this idea and exploring what it might look like when applied has been a great deal of fun. It is one thing to dream; it is another to build the steps and processes that bring a concept into prototype form. That work requires getting grounded in a business model—one that brings together years of insight into a market-ready offering.

What is the deep desire you long to cultivate? Is there a book you can revisit that gives you visuals and inner dialogue for how those elements might come together? Grab your sketchbook, begin the journey, and pour life onto those pages—allowing the vision you desire to become the plans you build for your business future.

The moment I decided it was time to become a Royal Dressmaker, I grabbed my sketchbook and made my way to the cinema to watch Downton Abbey. A lady nearby commented, “Oh look, she dressed up for the movie.” What she missed is that I love dressing like myself all the time—whether in vintage pieces or in garments of my own design.
I opened my fashion sketch book, its pages overflowing with designs and inspiration images—a quiet reminder that it was time to sew them into life.
This is an Elsa Fitzgerald design inspired by the Indonesian kebaya.
While seated in the dark theatre before the film began, I sketched a special design inspired by a Charles Frederick Worth gown. Surrounded by red velvet and the allure of fashion’s luxurious past, it felt like exactly the right place to be inspired. What if the Elsa Fitzgerald Society could design and make fine fashion that would invest in the conservation and knowledge transfer of old-world luxury needlework skills? What a beautiful world we might sew—if we choose to build those dreams into reality.

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